Tuesday, February 19, 2019

Script Basics

[FIRST YEAR] Storytelling: Script to Screen




Covered today:
  • Logline
  • WALL-E Script to Screen video
  • How to format a script (Details)
  • Writing Script for Story

Logline

Example

Setting (time / place) + protagonist + struggle (with antagonist) + (Death) stake / goals.

My Rough Logline

Small River in a park (setting), a white Bichon [Protagonist] is out for a walk and falls into the river but can't swim [Struggle]. The Bichon can't get out and struggles. Will she sink or swim (stakes / goals).

My Finalised Logline

In a park (setting), a small Bichon [Protagonist] is out for a walk and falls into a river but can't swim. [Struggle] will she sink or swim. Will someone save her. (Stakes / goal).

Characters
Setting
Story
Bichon - Crystal
Border - Sox
Duck - Frank
Park
River
 Bichon falls in Duck saves dog but Bichon close to death thought it saw border

WALL-E Script to Screen



All Pixar Script to Screen

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Details of a Script

Formatting

When formatting a script: the font always has to be COURIER 12ptScene headings are always in capitals – abbreviations should always be used;  Character names should always be capitalised when first introduced and always above dialogue.

Scene Headings

  • Interior / Indoors - ( INT ) 
  • Exterior / Outdoors - ( EXT )
  • Location
  • Time Of Day

         Example
         INT.    Log Cabin  -  Night

Action

Animation tends to be more visual, and therefore descriptive.  When writing your action you may need to write more than you would a live action scene, as you need to help the animator understand what is happening and needs to be animated.

Therefore - Rule of Thumb is 1½ Pages = 1 screen minute


Film Script Example
EXT.   DESERT CLIFF  TOP  -   DAY

COYOTE chases the ROADRUNNER over the cliff and falls into the canyon.

Animation Script Example
EXT.   DESERT CLIFF  TOP  -   DAY 

The COYOTE scrambles after the ROADRUNNER, his legs a blur, running right off the end of a cliff.  As the ROADRUNNER sticks his tongue out and BEEPS at him, the COYOTE stops over thin air. The COYOTE looks into camera with a loud GULP and drops like a rock.


Writing Camera Direction

Generally you should avoid describing too much camera / editing direction in your script - but some key directions you can utilise are:

Transitions:
Camera Movement
FADE IN or OUT:
DISSOLVE TO:
ANGLE ON:
INTERCUT:
PULL BACK
ZOOM IN
PAN

Shot Types: 
POV 
CLOSE UP( CU )

Dialogue

Dialogue is tabbed in from side Character speaking is Centered and Capitalised Acting Direction for voice or subtitles is in Parentheses  O.S – Off Screen   V.O.  –  Voice Over 



Writing Stript for Story